My take on Saeed Naqvi’s “Being the other: The Muslim in India”
Saeed Naqvi’s “Being the other: The Muslim in India” is a partial memoir and partial his account of unfolding events in modern India which he witnessed from close quarters as a journalist. The shilanyas ceremony of 1989 at Ayodhya, the writer says acted as catalyst for writing the book which germinated for six decades.
The book
is also an elegy to the syncretic Hindu-Muslim culture of Lucknow and its
vicinity which was cultural capital of erstwhile Awadh. The noted
journalist grieves in the introduction of his book, "Rather, it's a
chronicle of my growing disillusionment, disappointment, with the direction in
which the country is heading".
The lucid
language is a joy for a reader. The style is adorable and gripping. But the
esteemed scholar failed to shed his biases. Only three chapters into the book and
one encounters writer’s elitist, sectarian prejudices. The writer quotes Akbar
Alahabadi’s couplet.
Council mein bahut Syyed
Masjid mein faqat Jumman
(The
viceroy council is full of Syyeds, But the mosques are packed only with the
Jumman)
Jumman,
the Julahas, the lowly weaver occupying leadership in mosques is at clash with
Ashrafs, the liberal, persianized and broadminded Muslims. Interestingly,
Jumman who is eyesore in the eyes of connoisseur of Awadh culture appears to be
symbol of commoner in Adam Gondvi’s famous lines.
Tumhari mez chaandi ki tumhare jam sone ke
Yahan Jumman ke ghar mein aaj bhi phooti rakaabi hai
(Your
table is of silver your goblet is of gold, but the jumman still has to eat from
broken paten)
Instead
of celebrating the development of people at lower rung of hierarchy, the elite
Muslims untiringly lampoon the lower caste Muslims.
This book
also rakes up the old wound of Ashraf, Ajlaf and Arzal. The book suggests that
muslim society remained divided in hierarchy. Naqvi claims in the book that Sir
Syed Ahmed Khan, the founder of MAO college (present day Aligarh Muslim
University) was quite firm that MAO college was for Ashraf muslim alone.
The experts on Aligarh movement, however, claim that MAO was for all people
irrespective of cast, creed and gender. First graduate of MAO was incidentally
Ishwari Prasad, a hindu.
Both
sunnis and Shia respect Hazrat Ali. But the senior journalist labels anyone a
shia who eulogises Hazrat Ali (R.A.) the most revered personality in the shia
sect of prophet Muhammad. According to Naqvi, Ghalib was technically shia who
declared himself 'slave of Ali'. Ghalib, however, was a free bird whose
religious inclination is reflected in his poems. Look at this couplet of Ghalib
in which the idea of paradise:
Humko ma’loom hai jannat ki haqeeqat lekin
Dil ke khush rakhne ko ghalib ye khayal achha hai
(I know
the reality of paradise o! Ghalib, but to keep the heart happy, this idea is
good)
Naqvi
also claims that Josh Malehabadi was born a sunni but converted to shiaism
later on. Josh started off with the Progressive Writers movement and later on
disassociated from it is a fact but he changed his religious belief, is a
revelation in the book. The torch bearer of progressive writer movement India
and later on founder of communist party of Pakistan, Sajjad Zaheer, is called
Syed Sajjad Zaheer. The allusion here is obvious. All the sufis and
believer in moderate form of islam was influenced by Iranian and infact shia
islam as per Naqvi. The culture came from Iran and Islamism from Arabia Naqvi
writes in his book. Jamiat Ulema-I Hind, Tableeghi Jamaat,Ahle Hadith, are are
all sunni outfits and so are the militant organizations, he portrays in the
book.
Sketching
the life of Muslims in and around Lucknow singling it out the only centre of
Indo-islamic culture is faulty background. There were several other cultural
centers flourishing around the time but writer chose to ignore them in the book.
The book claims to be about The Muslims in India but glimpse of other centers
of culture are missing.
The book
has not been divided into parts per se but reader may find clear demarcation,
first part include three chapters which is pure memoir and second part includes
his observation of events that unfolded and impacted the Muslims in India.
The
edifice of the book has been built upon substructure of the introduction, which
is author’s memoir and explains motive of writing this book, the growing up in Awadh,
the cultural centre of shia Muslims in India, and “the Mangoes of Mustafabad”
gives glimpse of culture and tradition of last ruler of Awadh, Syed Wajid Ali
Shah’s Awadh who was a patron of composite culture.
The exile
of nawab from Luknow to Matia Bruj in Bengal was more traumatic than that of
Bahadur Shah Zafar write Naqvi in the book. Equally painful are the lines of
Syed Wajid Ali Shah who used Akhtar as takhallus in his shairi;
Andoh
Alam ka dilpe gehra hoga
Ai Bazm
ajeeb haal tera hoga
Ek shama
kya bujh jayenge ghar ghar ke chiragh
Chhup
jayega Akhtar to andhera hoga
(A deep
sadness encircles the heart
Stillness
engulfs this gathering
Darkness
descends when Akhtar, the most shining star, is eclipsed.)
This chapter provides understanding of
diminishing culture of Awadh, and its people. The langra aam, “the
mangoes of mustafabad” symbolizes the quintessence of Awadh.
The famous
couplet of Allama Iqbal which he wrote on receiving langras from Allahabad sent
by Akbar Allahabad depicts bond between two flourishing Muslim centers.
Asar hai
teri aijaz-e masihaee ka ae Akbar
Allahbad
se langra chale Lahore tak pahunche
(Akbar, this
is the miracle of your healing power like a messiah, langra the lame travelled
from Allahabad and reached Lahore)
The
chapter, partition long shadow takes us down the memory lane where the
destiny of nation state was decided. Reader interested in partition history may
find some revelation and new perspective.
The lessons of Meenakshipuram depicts conversion business and its impact in the years to come. The
veteran journalist suggests in this chapter that the only way to put an end to
the friction and conversion and counter conversion is by celebrating syncretic
culture of India.
The breaking of the Babri Masjid has detailed account of event which changed the communal picture of
modern India. The writer’s sharp observations and professional acumen is at
best in dealing with this event. Read will get an honest account of how BJP and
Congress both are equally responsible for this act of mob vandalism which left
permanent scar on the nation’s psyche. One abetted directly and the other
remained spectator.
Unholy riots remind reader
the vulnerability of two communities clashing on trivial issue. All the major
riots have been dealt with, some in details and some with passing reference. But
the writer surprisingly escapes Bombay riot of 1992-1993.
In the
chapter “A procession of Prime Ministers” though the writer gives analyses
of all the prime minister since 1947, but one on Indira Gandhi is an
interesting read.
In “The
making of the Kashmir Problem” the writer has tried to put forth a
neutral analysis. The chapter “Global Error: The war on Terror”
analyses how this scourge is furthering the othering of Muslims in India.
India,
Pakistan and Bangladesh must accept this bitter truth that they separated because
they couldn’t live together. The three entities must come out of negative
syndrome. The disciplining of TV channels is another recommendation from the
veteran journalist. The mischief from Pakistan must be stopped and the India
should not let Pakistan exploit the fault lines of the country.
Indian
Muslims need to be freed form clerics and Hindus from communal politicians. But
the writer has misgivings of these happening in his life time. The veteran
journalist however, reposes hope in young politicians.
Naqvi’s “Being
the other: The Muslim in India” fails to take into account the larger
perspective rising above elitist and sectarian mindset. The book could delve
into economic condition and economic marginalization of Muslims in India which
the book is surprising silent on. The book deals with some seminal events which
shaped the life of Muslims in India. It could have captured so much more but
unfortunately, the author chose to reduce it to a personal memoir.
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